流行通信 Ryuko Tsushin vol.492 (June, 2004) Magali Reus Working closely with Pyke

Working closely with Pyke

This vast artist’s book began with a deceptively simple question: how do you photograph a forest

Along with the feel of the rough paper that embodies an 'anti-luxury' stance

We were all spinning around Sonic Youth’s orbit

most unsettling fears and thoughts

流行通信 Ryuko Tsushin vol.492 (June, 2004) Magali Reus Working closely with Pyke* 492 471200294942004820046 idea 317 (July, 2006) Kuzunari Hattori 100 pages Ryuko Tsushin was a magazine that, despite its primary focus on fashion, exerted a profound influence on the landscape of Japanese graphic design. Over the years, its art direction was helmed by distinguished figures such as Tadanori Yokoo, Ikko Tanaka, and Kazunari Hattori. Starting with its renewal issue, Vol. 471 (September 2002), Kazunari Hattori assumed the role of art